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Water and plant imagery is at the heart of early Indian art. On this railing pillar from the Bharhut stūpa, a profusion of aquatic imagery evokes renewal, celebrating the beneficent power of the monsoon. The coming of life-nurturing rains, typically in June across much of the subcontinent, marks a new cycle of crops, harvests, and prosperity. A seated yakṣa, the personification of a nature spirit, is immersed in a watery landscape of lotus buds, blooms, and leaves. He is readily identified by his corpulent body and pointed, nonhuman ears. The sculptor modeled the flowers with care, using blue lotuses as space fillers and honeysuckle in the vases above.